artweek:

If you’d like to reserve a table space and sell your hand made goods, come into commonvision and pick up a submission form SOON before space runs out!

Our JAWS Bus Trip last night was cancelled. If you feel like you wasted $3; come to our office in Commons 2b10, and we’ll trade your ticket in for two regular movie tickets. (That saves you a dollar!)

Listen up, true believers!  We’ve talked about superheroes and we’ve talked about Nick Fury.  But comics aren’t all fun and games!  Since the first modern comic book was published around the turn of the 20^th century, they have been attacked by the powers-that-be for their content, their quality, and their artistic value.  In 1954, faced with the possibility of government censorship after heated Senate hearings on the impact of comics on juvenile delinquency, publishers adopted the Comics Code, a self-censorship mechanism modeled after the film industry’s restrictive Hays Code.  The comics industry was forever changed.

The exhibit “All Lurid, Unsavory, Gruesome Illustrations Shall Be Eliminated: The Comics Code as seen through the UMBC Comics Collection,” currently on display in the Special Collections Department of the Albin O. Kuhn Library isn’t just about looking at some cool rare comics.  It’s a chance to see the ways in which the industry has changed over the past 70 years, from pushing the envelope of taste in order to sell comics, to wilting under restrictions on its creativity, and back to pushing the envelope.  We see how rare pre-Code, Silver Age and underground titles led to non-Code magazines and today’s graphic novels.

This exhibit is also an opportunity to see some fantastic original comic art from the 1970s, from legendary artists such as Jack Kirby, John Romita Sr. and Joe Sinnott.  Straight out of the Special Collections vault, these pieces have almost never been seen in public! Paired with the finished published books, they are great examples of the process of the comic book artists of the time.

So come on down, superfans!  This exhibit will be on display until May 16^th, so you’ve got plenty of time.  Special Collections, located inside the library’s first floor gallery, is open Monday, Tuesday, Wednesday and Friday from 1-4 pm, and Thursdays from 1-8 pm.  Other hours are available by appointment. Please provide advance notice if you will be arriving via invisible jet.

To browse all of the comics available at Special Collections, enter “comic books” in the “Collection” field in the following search; or put in more specific search terms to find the exact comic you’re looking for: http://umbc.pastperfect-online.com/37467cgi/mweb.exe?request=advform

by Steve Ammidown, Special Collections Student Assistant

Image from Planet Comics #30, May 1944

Now Online

View photographs from the Hughes Company photography studio and experience Baltimore life during 1905-1940.  Find out what your neighborhood street looked like back then; compare familiar buildings and structures--such as the Hippodrome Theater and Bromo Seltzer tower--with how they look now; peruse images of Flower Mart from the 1920s; make your way through the old outdoor markets of Eutaw and Lexington Streets; or see horse drawn carts, streetcars, and early automobiles traverse the city.

The Basics of the Collection

The 2,682 glass negatives from the Hughes Company Glass Negative Collection were scanned and converted into digital positives.  The collection features images of Baltimore and environs, including street scenes, buildings, churches, schools, store fronts, monuments, and signs.  Also included are commercial photographs from local businesses and community groups, such as company portraits, student groups, advertising images, machinery, and people at work. 

The History of the Company

The Hughes Company was a commercial photography studio in Baltimore, MD founded circa 1878 by James F. Hughes. Business was good for Hughes, and the studio thrived into the 1890s.
After his death in the early 1900s, the company was sold to his studio assistant, photographer James W. Scott. The studio experienced a boom of production, generating advertising photographs for clients as diverse as Westinghouse Company and the Baltimore Sun, as well as local businesses and school and church groups. The glass negatives in the digital collection were created during this period.
In 1939, Scott trained his son, Gaither, in both photography and the operation of the studio. Gaither Scott later took over the studio and eventually moved the company to Annapolis in the 1970s, where he retired and finally closed the business.
Scott divided the collection and gave the Hughes Company negatives to three different institutions, including UMBC, the Maryland Historical Society and the Peale Museum.

How You Can Participate

You can help us enrich the collection by providing additional details about the images. If you recognize a building, a person, or know further information about an image, please email Special Collections at speccoll@umbc.edu.

Additional Resources

• Growing Baltimore is a project carried out by UMBC Public History graduate students Aiden Faust, Ryan McCormick and Trisha Okine, who created an online exhibit using images from the Hughes Company Glass Negatives Collection to illustrate expansion and development of Baltimore City from 1918-1939.
• A portion of UMBC's Hughes Company Glass Negatives Collection can be viewed on Flickr: http://www.flickr.com/photos/umbclibrary/sets/72157622584312332/.