By: Mika Lopena
Photo Credit: Chung Wei Huang
No creative journey looks the same between two people, and Professor Chung Wei Huang is no exception. Growing up in a small but lively town in Taiwan, she was surrounded by an environment shaped by curiosity and learning. Her mother worked as a middle school teacher, her father was employed at a telecommunications company, and young Chung Wei spent much of her childhood reading. "I'm gonna be a writer!" she remembers thinking as a kid, long before she discovered filmmaking. What began as a love for reading would eventually spark a career built on storytelling in many forms.
During her undergraduate years at National Taiwan University, Professor Huang majored in international business while completing an art and design certificate. Although her major was practical and academically focused, she felt an early pull toward creative expression. A study abroad program in Spain transformed that interest into something deeper. She enrolled in pre production and development courses taught by American professors and realized that these classes aligned with her passions in ways her previous film studies courses never had. Her time in Spain made filmmaking feel real, and made the idea of pursuing it long term begin to take shape.
After returning to Taiwan, she gained her first industry experience as a script supervisor on the TV drama I Love You So Much. The position gave her valuable insight into the production world, but it came with heavy demands. She worked six and a half days a week under intense pressure and very low pay. Entry level jobs in Taiwan's production industry were notoriously difficult, and even though the role opened doors, it was not sustainable. Leaving the job was a turning point. It pushed her toward what she truly wanted: a chance to study filmmaking in America.
This decision brought her to Temple University's MFA program in Film and Media Arts, where she earned the Presidential Fellowship. Her time at Temple not only strengthened her skills but also expanded her creative identity, shifting her interest from documentary work toward narrative filmmaking. She later began exploring experimental forms as well, including dance for the camera, blending movement, emotion, and storytelling in new ways. After marrying and moving to the Baltimore area for her husband's long term job, she found the opportunity to teach at UMBC.
Now a lecturer in the Media and Communication Studies Department, Professor Huang teaches filmmaking, screenwriting, and media literacy. "I love being able to teach screenwriting in a very hands on way," she shared. She appreciates the supportive environment of her colleagues and the chance to work closely with students who are finding their voices as storytellers. Coming from a film school background, teaching in a communication studies program introduced her to new ideas and broadened the way she thinks about media. "I now pay attention to a wider range of disciplines," she said, reflecting on how the transition has shaped her approach as both a filmmaker and educator.
Her creative accomplishments reach far beyond the classroom. Professor Huang's films have screened at major festivals such as the Cleveland International Film Festival, LA Shorts International Film Festival, VC Film Festival, The Female Eye Film Festival, and the Maryland Film Festival. She received the Rubys Artist Grant for her film "Days without End" and funding from the Saul Zaentz Innovation Fund for her short film "Squeegee Boy". She has also been a semifinalist for the Sondheim Artscape Prize and a Baker Artist Award winner.
Most recently, "Squeegee Boy" is concluding its international festival run at the Byron Bay International Film Festival in Australia, where it is featured in the festival's High School Program. This milestone highlights not only the global reach of her work but also the film's ability to resonate with younger audiences, reflecting her commitment to stories about lived experiences, social issues, and personal perspective.
Looking back at her undergraduate years, she remembers the excitement of curating an art exhibition for her art and design certificate program, a project called Doppelganger that involved securing a historical building and finding local artists to contribute. She also recalls a "work and travel" summer in California that left her with a strong impression of life in the United States and influenced her desire to stay. "Traveling in California gave me a really good impression of my future prospects," she said. "I wanted to stay in the U.S."
Her advice for students today is simple and heartfelt. "Studying is important, but try different things and make new friends. It's one of the most important things in undergrad." And when asked to summarize her entire journey in a single sentence, she chose words that reflect every twist, risk, and leap she has taken.
"Follow your heart."