Did you know that art played a pivotal role in Poland’s 1989 Solidarity Movement?  Solidarity was a broad anti-bureaucratic, workers-rights movement in 1980s Poland that eventually became a powerful political force. In addition to publishing over 500 newspapers and broadcasting their message via pirate radio stations, the Solidarity movement used art, particularly posters, to communicate their revolutionary message,  and even created a new school of art—The Polish Poster School—along the way.  Special Collections has a treasure trove of hundreds of posters, handouts, and newspapers. There are copies of the iconic work of graphic designer Jerzy Janiszewski (who created a style of writing known as Solidaric)  as well as Tomasz Sarnecki’s well-known poster that features an image of Gary Cooper from the 1952 film “High Noon.”

View the finding aid for this collection, now available online, for more information about the Solidarity movement and the Solidarity materials held in the Library: http://aok2.lib.umbc.edu/specoll/Solidarity/index.php.

Want to come look at the records yourself? Contact Special Collections to set up an appointment at x52353 or speccoll@umbc.edu. We also hold open research hours on Monday through Friday, 1pm to 4pm, with additional hours from 4pm to 8pm Thursday nights.

This post was written by Theresa Donnelly

History graduate student Shae Adams worked in Special Collections this Spring with the Joseph L. Arnold manuscript. She has provided us with this report from the scene!

Intern Shae Adams here with breaking news from your very own Special Collections: Something exciting is happening in Special Collections! (Ed. note: something exciting is always happening in Special Collections.) We are partnering with the UMBC history department to bring you a digitized history of Baltimore that you can access from the comfort of your living room. Over the course of the semester I have begun compiling and editing a manuscript written by the late Dr. Joseph Arnold, a former UMBC history professor. The manuscript provides an overview of the history of Baltimore from its founding in 1730 to the beginnings of suburbanization in the 1920s with plenty of dramatic events in between. Dr. Arnold’s work explores the heroism of Baltimoreans during the War of 1812, the bitter divisions within the city during the Civil War, alongside the triumphs and tragedies of immigrants determined to find acceptance in their new home.

The manuscript is currently in the editing phases. But progress has been made! Only a few months ago, the book existed only as a jumble of chapters and revisions arranged in archival boxes. Now the chapters have been reunited in a single document ready for final content editing. Through the continued partnership with the history department, Special Collections has high hopes that the manuscript will become an integral part in growing UMBC’s presence in the digital humanities following its online publication.

Stay posted for further updates on this story as it unfolds!

Thank you, Shae!

UMBC’s Special Collections holds a world class collection of photographs. With over 2 million images, including those by Ansel Adams, Diane Arbus, and Berenice Abbott, the Photography Collection includes a vast array of photographic treasures. Former UMBC Photography professor Jaromir “Jerry” Stephany deserves much of the thanks for this collection. An influential photographer and teacher, Stephany’s papers now sit alongside the collection he helped build. Stephany’s papers, which are open to the public, hold insights not only into Stephany’s teaching career, but also his personal life and the general history of photography.

Jerry Stephany was born in Rochester, NY in 1930. During the Cold War, Stephany trained as a combat photographer and served at Rhein-Main Air Force Base in Germany. In 1956, Stephany received his degree from Rochester Institute of Technology, where he studied under famed photographers Ralph Hattersly and Minor White. Four years later, Stephany earned a Master of Fine Art from Indiana University, where he studied Cliché Verre under the guidance of photographer Henry Holmes Smith.

Stephany first began teaching the history of photography when working on staff at the George Eastman House. In 1966, Stephany moved to Baltimore to start teaching at the Maryland Institute College of Art (MICA). At MICA, Stephany served as the chair of the department of photography and film.

In 1973, Stephany left MICA to become an Associate Professor of Photography UMBC. At UMBC, Stephany established the Photography program. Under his guidance, UMBC’s Special Collections began developing its Photography Collections. Even after his formal retirement in 1999, Stephany remained an active member of the UMBC community, continuing to teach a history of photography course and serving on the Council of the Friends of the Library and Gallery at UMBC.

Stephany exhibited his photographs at a number of venues, including the George Eastman House, Baltimore Museum of Modern Art, UMBC Library, Smithsonian Institution, and the International Center of Photography. With his photography, Stephany held a constant fascination with the abstract and science fiction. Throughout his career, he would also return to the Cliché Verre technique.

In April 2010, UMBC’s Albin O. Kuhn Library Gallery hosted a long-planned retrospective of Stephany’s photographs with an emphasis on Cliché Verre, titled Music of the Mind: Jaromir Stephany Photographs and Digital Images. That same month, Stephany passed away. Two years after his death, in 2012, Tom Beck and Emily Hauver published the exhibition catalog, which is now available for purchase.

The Jaromir Stephany papers contain records relating to Stephany’s work as a photographer and educator, as well as his personal papers. Included in this collection are professional and personal correspondence, teaching materials, personal photographs, genealogical records, and files from Stephany’s exhibitions. There are also personal writings, interviews of Stephany, and audio-recordings of lectures given by other photographers. The papers were processed by History Graduate students Robin Martin, Johanna Schein, and Dorothy Alexander under the guidance of Archivist Lindsey Loeper.

Want to come look at the records yourself? Contact Special Collections to set up an appointment at x52353 or speccoll@umbc.edu. We also hold open research hours on Monday through Friday, 1pm to 4pm, with additional hours from 4pm to 8pm Thursday nights.

This post was written by Special Collections Graduate Assistant Johanna Schein.

Want to read some Superman? Jonesing for some Archie? UMBC’s Special Collections department holds over 6,500 comic books! Featuring a variety of genres, from superhero comics to underground comix, this collection will have something for every comic book fan.

With so many comic books, navigating the collection can be a bit daunting. But don’t fret! Special Collections now has a new online comics guide to help you sort through the collection. Now it is easy to find a comic book that fits your interests, from superheroes, to romance, and horror.

You can check out the guide at http://lib.guides.umbc.edu/comics

You can also come to Special Collections to read any of these comics. Although the comics do not circulate (you have to read them in our department) the Special Collections staff will do their best to work with your schedule. Special Collections is open 1 to 4 Monday through Friday, with extended hours from 4 to 8 on Thursday nights, or you can request an appointment. To contact Special Collections, visit their website, email us (speccoll@umbc.edu) or call 410-455-2353.

This post was written by Special Collections Graduate Assistant Johanna Schein.

The Albin O. Kuhn Library Special Collections recently digitized 66 photographs of the Little Rock Nine, the first African American students to attend an integrated school in largely segregated Arkansas. When the students enrolled at Little Rock Central High School in September, 1957, Arkansas Governor Orval Faubus deployed the Arkansas National Guard to deny their admission. Shortly thereafter, President Dwight D. Eisenhower federalized the Guard and required them to facilitate the students’ entry. While attending the school, the Little Rock Nine were subjected to discrimination, harassment, and violence because of their race. Several students wrote books about their experiences, and in 1995, President Bill Clinton awarded the Little Rock Nine with the Presidential Medal of Freedom.

The Little Rock Nine photographs were taken by Mildred Grossman, a noted teacher, unionist, and civil rights activist. Grossman’s photographs focus on the students' trip to New York City in the summer of 1958, where they accepted the New York Hotel Trades Council’s Better Race Relations Award for their courage and historic achievements. The students also met with elected officials, diplomats, and entertainers, and visited landmarks such as the Statue of Liberty and the Coney Island amusement parks.

View the Little Rock Nine collection via the UMBC's Digital Collections page and in the Special Collections reading room. The Little Rock Nine photographs are a small part of the Mildred Grossman collection, which contains thousands of Grossman’s photographic prints, negatives, and personal papers.

Take a look at the collection when you can and tell us what you think: http://contentdm.ad.umbc.edu/cdm/landingpage/collection/p16629coll3 

See also:

Mildred Grossman papers finding aid