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<Title>Sound Design Webinar: "Cockeysville to Baltimore," April 1st, 6pm EST</Title>
<Tagline>Registration Required - online event only</Tagline>
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<![CDATA[
    <div class="html-content"><p><img src="https://cadvc.umbc.edu/wp-content/uploads/sites/247/2025/03/All-Matters-Aside-17-scaled.jpg" style="max-width: 100%; height: auto;"></p><p>The Center for Art, Design, and Visual Culture at UMBC (CADVC) invites you to join the live webinar "Cockeysville to Baltimore" on April 1, 6–7 pm EST, for a discussion between artist Levester Williams and sound designer Dan Shields focused on the element of sound design in the context of Williams's work. The program will be introduced and asynchronously moderated by Lisa D. Freiman, curator of “Levester Williams: all matters aside.”</p><p><a href="https://levesterwilliams.com/" rel="nofollow external" class="bo">Levester Williams</a> was involved in CADVC's exploratory research residency that allows artists and interdisciplinary collaborators to take advantage of scholarly resources and to build partnerships at UMBC and in the Baltimore region. Williams's residency developed into the exhibition <a href="https://umbc.edu/event/allmattersaside/" rel="nofollow external" class="bo">Levester Williams: all matters aside</a>, and the publication <a href="https://cadvc.umbc.edu/wp-content/uploads/sites/247/2025/01/2025-01-14_LevesterWilliams_Catalog_Final_Pages-Alt-text-added.pdf" rel="nofollow external" class="bo">Cockeysville to Baltimore</a>.</p><p>This event is online only, and registration is required at this <a href="https://docs.google.com/forms/d/e/1FAIpQLSfYa4zW0rq5Vut04MBebmcr7gbSnbNk3HH3GbSAGAPYAnxckQ/viewform" rel="nofollow external" class="bo">link</a>:<a href="http://shorturl.at/s5EVl" rel="nofollow external" class="bo"><span>shorturl.at/s5EVl</span></a>.</p><p>You will be contacted at the email you provide with the link for logging on, and your contact information will not be shared. If you have any questions or concerns, please contact CADVC at <a href="mailto:cadvc@umbc.edu" rel="nofollow external" class="bo">cadvc@umbc.edu</a> or 410-455-3188.</p><p>If you need any specific accommodations to experience an exhibition or one of our events, either online or in person, please contact CADVC at <a href="mailto:cadvc@umbc.edu" rel="nofollow external" class="bo">cadvc@umbc.edu</a> or 410-455-3188 as soon as possible.</p><p>All events at CADVC are open for full participation by all individuals regardless of race, color, religion, sex, national origin, or any other protected category under applicable federal law, state law, and the University’s nondiscrimination policy.</p><p><span>Some images only visible in MyUMBC Groups app</span></p><p><span>Header:</span><span> </span><span><span>“Conflux: Variation” video still, 2025, Shannon Collis &amp; Liz Donadio</span></span><span><span>, c</span></span><span><span>ourtesy of the artists</span></span><span><span>.</span></span><span></span><span><span>(</span></span><span><span>Description of audio, authored by the artists: a deeply resonant audio landscape builds momentum, merging field recordings of industrial machinery, trains, water, and wind with digital and analog synthesis. Layered low-frequency tones shift between foreground and background, aligning with the visuals. The soundscape evokes the essence of the visited sites and the interplay of natural and industrial elements.</span></span><span><span>) </span></span></p><p><span>Top: Levester Williams, “Shift, Sift, Swoosh Bods,” 2018, HD video, color, sound accompanied by interactive seating embedded with speakers: “for/four here/hair,” 2018 acoustic foam (polyurethane), polyvinyl chloride foam, epoxy resin, paint on MDF, plywood, transducers, speaker wire, steel, sound and other media; (In a gallery setting cast with blue light, a video projection spans a 20’h x 30’w wall. The video features a male-presenting figure standing in his underwear and a white vest in front of a white wall and next to a microphone stand holding a long white cylindrical object. From his mouth, a pink sculptural object protrudes like a large bubble gum bubble. In the foreground of the gallery, two black seats shaped like Pringles potato chips face the projection wall from below. They sit on a five-inch-high white platform on the floor and are embedded with speakers. On the left side of the gallery daylight shines in from the entrance.)</span><span></span></p></div>
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<Summary>The Center for Art, Design, and Visual Culture at UMBC (CADVC) invites you to join the live webinar "Cockeysville to Baltimore" on April 1, 6–7 pm EST, for a discussion between artist Levester...</Summary>
<Website>https://docs.google.com/forms/d/e/1FAIpQLSfYa4zW0rq5Vut04MBebmcr7gbSnbNk3HH3GbSAGAPYAnxckQ/viewform</Website>
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<NewsItem contentIssues="true" id="143417" important="true" status="posted" url="https://beta.my.umbc.edu/groups/cadvc/posts/143417">
<Title>Levester Williams: all matters aside</Title>
<Tagline>CADVC Announces Fall 24 Exhibit, Projections, &amp; Reception</Tagline>
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<![CDATA[
    <div class="html-content"><p><span>The </span><a href="https://cadvc.umbc.edu/" rel="nofollow external" class="bo">Center for Art, Design and Visual Culture</a><span> </span><span>presents</span><span> the early-career survey</span><span> </span><em><span><a href="https://cadvc.umbc.edu/umbcs-center-for-art-design-and-visual-culture-presents-first-early-career-survey-of-artist-levester-williams-all-matters-aside/" rel="nofollow external" class="bo">Levester Williams: all matters aside</a></span></em><span><a href="https://cadvc.umbc.edu/umbcs-center-for-art-design-and-visual-culture-presents-first-early-career-survey-of-artist-levester-williams-all-matters-aside/" rel="nofollow external" class="bo">,</a> an exhibition curated by </span><a href="https://arts.vcu.edu/community/vcuarts-faculty-and-staff/directory/lisa-freiman/" rel="nofollow external" class="bo">Lisa D. Freiman</a><span>, professor of art history at Virginia Commonwealth University</span></p><p><img src="https://cadvc.umbc.edu/wp-content/uploads/sites/247/2024/08/image3.png" style="max-width: 100%; height: auto;"></p><p>The exhibition will be accompanied by the first in CADVC's public art projection series with a new video art gallery set into the open amphitheater of the UMBC Fine Arts Building. <span>There is more information on the projection series at </span><a href="https://umbc.edu/stories/exploratory-artist-levester-williams-marble/" rel="nofollow external" class="bo">https://umbc.edu/stories/exploratory-artist-levester-williams-marble/</a><span>.</span></p><p>The Opening Reception will include a public program featuring <a href="https://levesterwilliams.com/" rel="nofollow external" class="bo"><span>Levester Williams</span>,</a> <span><a href="https://cgscholar.com/community/profiles/michelledianewright" rel="nofollow external" class="bo">Michelle Diane Wright</a></span>, and <span><a href="https://arts.vcu.edu/community/vcuarts-faculty-and-staff/directory/lisa-freiman/" rel="nofollow external" class="bo">Lisa Freiman</a></span>.</p><p>The exhibition will open for regular hours on Friday, September 20, and will continue through December 14.</p><p><span>Visitor Information</span></p><p>Admission is free.</p><p>Parking for the Opening Reception is free, available in nearby Lot 8. Please <a href="https://umbc.edu/venue/center-for-art-design-and-visual-culture-cadvc/" rel="nofollow external" class="bo">visit here</a> for directions and additional information.</p><p><span>Header: Detail of video still of Nia Hampton in the vignette “Nia’s Embrace” from “dreaming of a beyond: Baltimore,” filmed at Mount Vernon Park Place in November 2023. Photo by Levester Williams. (Coming from behind, a hand with dark brown skin tone reaches around to the front of a marble column in a park-like setting. In the background a black and white marble border runs between a parallel strip of grass and a reflecting pool.) Body: A drone image of the Texas Quarry in Cockeysville, Maryland, one of the locations where Cockeysville marble is mined. Photo courtesy of Levester Williams. (Birdseye view of a circular bright teal body of water at the center of a marble quarry.)</span><span> </span></p></div>
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<Summary>The Center for Art, Design and Visual Culture presents the early-career survey Levester Williams: all matters aside, an exhibition curated by Lisa D. Freiman, professor of art history at Virginia...</Summary>
<Website>https://cadvc.umbc.edu/</Website>
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<PostedAt>Wed, 28 Aug 2024 16:26:27 -0400</PostedAt>
<EditAt>Thu, 29 Aug 2024 11:05:37 -0400</EditAt>
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<NewsItem contentIssues="true" id="139240" important="false" status="posted" url="https://beta.my.umbc.edu/groups/cadvc/posts/139240">
<Title>Public Video Art Projection Gallery</Title>
<Tagline>Art projections "demo" at the Fine Arts Building</Tagline>
<Body>
<![CDATA[
    <div class="html-content"><p><span>Thursday, February 29, 2024, 6-8 pm</span></p><p><img src="https://cadvc.umbc.edu/wp-content/uploads/sites/247/2024/02/image4.jpg" style="max-width: 100%; height: auto;"></p><p><span>The </span><a href="https://cadvc.umbc.edu/" rel="nofollow external" class="bo">Center for Art, Design and Visual Culture</a><span> (CADVC) inaugurates the "demo" of a new </span><span>public video art projection gallery</span><span> with work by artist </span><strong><a href="https://levesterwilliams.com/" rel="nofollow external" class="bo">Levester Williams</a></strong><span>, featuring his work "</span><span>dreaming of a beyond: Baltimore"</span><span> (2021-2024). The event will include a conversation between Williams and curator </span><strong><a href="https://arts.vcu.edu/community/vcuarts-faculty-and-staff/directory/lisa-freiman/" rel="nofollow external" class="bo">Lisa Freiman</a>.</strong><span> Hot refreshments will be served. Showings of the work will continue on select evenings in late February and early March.</span></p><div><div><hr><p>The work is the result of the artist's Exploratory Research Residency at CADVC, ongoing since 2023. During this time, Williams has been researching the histories and mythologies of Cockeysville (Maryland) marble, a material used in many salient objects in the local built environment, including the Washington Monument and iconic exterior steps of Baltimore rowhomes. The film results from this research as well as movement workshops and other activities that included the participation of UMBC students and other Baltimore residents. Artist Nia Hampton, a current IMDA graduate student, and her mother, artist and arts advocate Sheila Gaskins, are featured performers. The filmic work was assisted by IMDA graduate student Bao Nguyen and artist Savannah Knoop, who worked on the project as an intimacy coordinator and facilitator.</p><p><em>dreaming of a beyond: Baltimore</em> is an embodied consideration of the labor histories, and mythologies, surrounding a marble building material that appears throughout Baltimore's built environment. In the movement experiments surrounding the film work, participants negotiated relationships to public space, monumental form, and connections to history. In Williams's words, the project underscores the "intertwined history of African-Americans' plight to self-determined agency and full citizenship, and a rather benign stone."</p><p>This public display of an art work-in-process is consistent with CADVC's commitment to showcasing the experimentation of artists and the visual culture of interdisciplinary research. Currently, CADVC's gallery is exhibiting <strong><a href="https://umbc.edu/event/spectrum-of-process-2024-umbc-faculty-exhibition/" rel="nofollow external" class="bo"><em>Spectrum of Process</em></a></strong>, highlighting UMBC faculty approaches to art and culture through rigorous, experimental processes.</p><hr><p>Admission is free.</p><hr><p>Visitors who need specific accommodations should contact CADVC at <a href="mailto:cadvc@umbc.edu" rel="nofollow external" class="bo">cadvc@umbc.edu</a> or 410-455-3188 as soon as possible.</p></div></div><span><p><span>Center for Art, Design and Visual Culture<br></span><span>UMBC, 1000 Hilltop Circle</span><br><span>Fine Arts Building, 105</span><br><span>Baltimore, MD 21250</span><br><span>(410) 455-3188</span></p><p><a href="https://umbc.edu/life-on-campus/arts-and-culture/plan-your-visit/" rel="nofollow external" class="bo"><span>Plan your visit</span></a></p></span><p><span>Images - 1. </span><span>Levester Williams, "dreaming of a beyond: Baltimore" (2021-2024); 4K color video/video installation still (</span><span>In a park-like setting, a person with dark brown skin tone sits embracing a white marble column from behind. Their hands touch the stone. Their face, obscured. They wear a light pink sweatsuit and brown boots. In the background, a nude fountain sculpture spouts water from the center of a pool of water. White marble also forms the border around the pool.)</span></p></div>
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<Summary>Thursday, February 29, 2024, 6-8 pm    The Center for Art, Design and Visual Culture (CADVC) inaugurates the "demo" of a new public video art projection gallery with work by artist Levester...</Summary>
<Website>https://cadvc.umbc.edu/cadvc-demos-public-video-art-projection-gallery/</Website>
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<PostedAt>Thu, 22 Feb 2024 20:35:14 -0500</PostedAt>
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<NewsItem contentIssues="true" id="139074" important="false" status="posted" url="https://beta.my.umbc.edu/groups/cadvc/posts/139074">
<Title>CADVC's Exploratory Reseach Residency</Title>
<Tagline>Spring Semester 2024 at UMBC Lion Bros. Building, Baltimore</Tagline>
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<![CDATA[
    <div class="html-content"><div><div><p><span>The Center for Art, Design, and Visual Culture at UMBC (CADVC) hosts an exploratory research residency that allows artists and interdisciplinary collaborators to take advantage of scholarly resources and to build partnerships at UMBC and in the Baltimore region. Artists In Residence (AIRs) are invited to pursue open-ended outcomes, and their engagements may develop into workshops, artworks, or other future projects.<br><br></span><span>This season, CADVC welcomes three low-residency AIRs who are developing research and creative projects in UMBC and Baltimore. The visiting artists will offer programs open to the general public in the UMBC Lion Brothers building in downtown Baltimore.</span></p><div><div><span><br><p><span><span><img src="https://lh7-us.googleusercontent.com/DatD0QD1qY4Uk1FjGZEUv4ptCb-dbYbfT8ZhHJYDK6XXSLoJLwLki3nG2-TJeArrkDxJKud2Daz_c8aVEQ6pCw_mNV97DX5D00HCavY7L0Gi9A9rQCXdFg4CoZJLfYV3NpmyUwhhaOBdwujuslHWrns" width="373" height="373" style="max-width: 100%; height: auto;"></span></span></p><p><span><strong>Paul Rucker</strong></span></p><p><span>Paul Rucker is a multimedia visual artist, composer, and musician. His practice often integrates live performance, original musical compositions, and visual art installation. For over two decades, Rucker has used his own brand of art making as a social practice, which illuminates the legacy of enslavement and its relationship to the US prison industrial complex.</span><span>An avid collector of artifacts and archives, Rucker holds more than 15,000 pieces about the history of the United States. Items that address false narratives of US history and the strategic withholding of historical events are used as a tool of  "demonization for colonization." His research visit to Baltimore will focus on Baltimore County and the history of "coordinated exclusion."</span></p><p><span><strong>Paul Rucker and artist Kim Rice had a public discussion about their research into the history of urban redlining. </strong></span><span>Rucker and Rice discussed a project-in-process focused on discriminatory real estate practices and the power of art to change spatial injustice.<br></span></p><br><br><p><span><span><img src="https://lh7-us.googleusercontent.com/k6CpnoLXDSn-A0J2FyRKDjtEGc2aTijM-6BU7FrthzIT36x3gH4C00XRIEcoVC9Gf5mfe6SKsinBZR5AqLikUhvtBO7uWIx2yymbcR0sWxkrTCvP2rfLtLE-j-wcWp_I2igGKsDKo-uXWmOFjpvX4TI" width="323" height="387" style="max-width: 100%; height: auto;"></span></span></p><p><span><strong>Tomashi Jackson</strong></span></p><p><span>Tomashi Jackson is an expanded field painter whose multimedia work investigates the links between history, materiality, and current events. In her residency at CADVC, which began in 2022, she has been developing a body of research focused on the history of and advocacy for alternative art spaces. This work builds on Jackson's existing research that she calls the "Pedagogy Study Hall" project. The project is ongoing. </span></p><p><span><strong>February 20, 5:30pm: Join Tomashi Jackson for a discussion about her present research</strong></span><strong>. </strong>Jackson will be in conversation with Dr. Nicole King, Associate Professor of American Studies and Director of the Orser Center for the Study of Place, Community, and Culture at UMBC.  Spaces are limited. RSVP required at this link: <a href="https://forms.gle/wqSCicNmUHYCvApb9" rel="nofollow external" class="bo"><span>https://forms.gle/wqSCicNmUHYCvApb9</span></a><span>.</span></p><br><br><p><span><span><img src="https://lh7-us.googleusercontent.com/DTpZbCkHZaYV-Yle0vzOuPdOjTU3U0wtp1MJ_SYElf2isLccMmlQ40lqmfZXg37W4MkT_C-N_uH5IbyoDdwnZtcvFG1H6g8xAt3cjYsvv9fU7W8c-DF1hITYF2Utf5-920gcRXcKT0SleC-5Kqsab7o" width="624" height="416" style="max-width: 100%; height: auto;"></span></span><span><strong>Levester Williams</strong></span></p><p><span>Levester Williams is a multimedia artist whose artistic production is rooted in explorations of the relationships between the material and social worlds. His sculptural work and multichannel video projects have been exhibited in museums and art spaces nationally and internationally. In the 2023-2024 academic year, Williams is making a series of visits to UMBC and Baltimore to complete a new filmic work under the project title</span> "<span>dreaming of a beyond: Baltimore." Williams is researching the histories of Cockeysville (Maryland) marble, a material used in many salient objects in the local built environment, including the Washington Monument and iconic exterior steps of Baltimore rowhomes. The movement art documented in Williams's film is an embodied consideration of the labor histories, and mythologies, surrounding this complex material. In Williams's words, the project underscores the "intertwined history of African-Americans' plight to self-determined agency and full citizenship, and a rather benign stone."</span></p><p><strong><span>March 5, 6pm: Levester Williams will be in conversation with collaborators on his current work in progress, "dreaming of a beyond: Baltimore"</span><span>(2021-2024). </span></strong><span>Other discussants will be announced. </span><span>Spaces are limited. RSVP required at this link: </span><a href="https://forms.gle/cV5xEnT572A2e9zNA" rel="nofollow external" class="bo"><span>https://forms.gle/cV5xEnT572A2e9zNA</span></a></p><div><span><p><span><span>More information about CADVC Exploratory Research at: </span><span><a href="https://www.e-flux.com/announcements/588001/cadvc-exploratory-research/" rel="nofollow external" class="bo">https://www.e-flux.com/announcements/588001/cadvc-exploratory-research/</a></span></span></p><p><br></p><p><span><span>If you need a specific accomodation at one of our events or to experience an exhibition, please contact CADVC at <a href="mailto:cadvc@umbc.edu">cadvc@umbc.edu</a> or (410) 455-3188 as soon as possible.</span></span></p><p><a href="https://cadvc.umbc.edu/public-events/" rel="nofollow external" class="bo"><strong>Learn more about Public Programs here</strong></a><span>.</span></p><p><span>Center for Art, Design and Visual Culture<br></span><span>UMBC, 1000 Hilltop Circle<br></span><span>Fine Arts Building, 105<br></span><span>Baltimore, MD 21250<br></span><span>(410) 455-3188</span></p><a href="https://umbc.edu/life-on-campus/arts-and-culture/plan-your-visit/" rel="nofollow external" class="bo"><span><strong>Plan your visit</strong></span></a>.<br><br></span></div><div><span><p><span>Photos courtesy of the artists (</span><span>1. Black and white headshot of artist Paul Rucker. He is masculine-presented and wears a beard, wears glasses and a beret, a button-up plaid shirt, and an undershirt. 2. </span><span>Artist Tomashi Jackson is sitting on a step ladder, looking to the left. She has brown skin and dark, long braided hair. She wears a floral blouse, jeans and Nike shoes. Behind her is an abstract painting  on canvas with rectangles in different shades of blue and pink. On top of the rectangles are different shades of red. 3. </span><span>Artist Levester Williams is </span><span>pictured from the chest up and</span><span> looks straight forward toward the viewer. He is male-presenting with medium brown skin tone, short dark hair, and light facial hair. He wears a dark, long-sleeve t-shirt with a white and orange zig-zagging stripe across the chest and arms. He stands in the middle of an urban street with parked cars and buildings in the background.)</span></p><br><div><span><br></span></div></span></div></span></div></div></div></div></div>
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<Summary>The Center for Art, Design, and Visual Culture at UMBC (CADVC) hosts an exploratory research residency that allows artists and interdisciplinary collaborators to take advantage of scholarly...</Summary>
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<PostedAt>Fri, 16 Feb 2024 22:26:22 -0500</PostedAt>
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